This scenario is for the c ine Argentine you RRO r, q ue although now part of co-production is very rarely seen before was one of the most watched since the name sounded
Narciso Ibáñez Menta also that of Nathan Pinzon, among others.
Content:
Narciso Ibáñez Menta
Nathan Finch
Emilio Vyera
MOVIES: / not aligned per year or ABC / inclyen
some production. Others involve
review.
A Light in the Window: 1942.
Directed by: Manuel Romero .
Starring:
Narciso Ibáñez Menta.
Juan Carlos Thorry.
Irma Córdoba.
Mary E Buschiazzo.
Premiere: May 12, 1942.
Duration: 71.
Productions: Lumiton Study.
Review:
First official "Argentina's horror film." A nurse arrives in a village to care for an elderly paralyzed, he has a son with acromegaly (Ibáñez Menta), who thinks ominously in a pituitary transplantation to "cure."
Crime Story: 1942.
Directed by: Manuel Romero .
Starring:
Narciso Ibáñez Menta.
Zully Moreno.
Severo Fernández.
Mary E. Buschiazzo.
Premiere: November 9, 1942. Duration
: 94 minutes.
Productions: Lumiton study.
Review:
A condemned prisoner confesses in his cell the reasons they did do these terrible murders he is accused, and took these out.
The Beast Must Die: 1952.
Directed by: Román Viñoly Barreto .
Starring:
Narciso Ibáñez Menta.
Guillermo Battaglia. Nathan
Pinzón.
Laura Hidalgo.
Premiere: May 28, 1952.
Duration: 92.
Productions: Esmeralda. Arg.Son.Film.
Review:
A man, writer, tries to avenge the death of his son who died after being hit by a car.
Vampire Black: 1953.
Directed by: Román Viñoly Barreto .
Starring: Nathan
Pinzón.
Olga Zubarry.
Roberto Escalada. Nelly
Paniza.
Premiere: October 14, 1953.
Duration: 90.
Productions: Arg.Son.Film.
Review: Argentina
This film is one of the most prestigious in the horror genre. Kind of remake of M, The Vampire (1931) by Fritz Lang, with the great Peter Lorre on a psychotic child murderer. In this case very well directed by Roman Barreto, with the prominent Nathan Finch.
The Human Beast, 1954.
Directed by: Daniel Tinayre.
Cast: Massimo Girotti
. Elisa
Galvé.
Alberto de Mendoza. Eduardo
Cuitiño.
Premiere: July 11, 1957.
Duration: 107.
Productions: Cinemat.Cinco. Arg.Son.Film.
Review:
Coming from Emile Zola's novel "La Bete Humaine." The story of a guard rail, jealous and evil in love with his wife, daring and provocative. On the other hand, a machinist, traumatized and unable to carry a relationship, yet falls into the hands of the femme fatale. The film is strong, bold and tragic, but it has really memorable shots.
Fans: 2001.
Directed by: Ygnacio Cervio.
Starring:
Mariana Villanueva.
Mariano Cattaneo. Ygnacio
Cervio. Sergio
Albornóz.
Duration: 70.
Productions: Kandar.
Review:
In a quiet village, a serial murderer on the loose. A group of young horror lovers DECIDE have a party, not realizing invite the murderer. Argentine film low budget but gives some memory of those serial murderers in history.
Processing 1040: 1958.
Directed by: Rubén Cavalloti.
Starring:
Narciso Ibáñez Menta. Walter
Vidarte.
Carlos Estrada. Alicia
Avellan.
Premiere: September 4, 1958.
Duration: 83.
Productions: Arg.Son.Film
Review:
Stopped by a local incident, an honest man (Ibáñez Menta), knows the full horror of the partnership between the cold walls of the prison, which arises from the misery of prisoners , guilty or not, share the same misery.
The invisible man strikes: 1967.
Directed by: Martin Rodriguez Mentasti.
Starring: Martin
Karadagián. Gilda
Lousek. Nathan
Pinzón. Ricardo Passano
.
Premiere: July 6, 1967.
Duration: 80.
Productions: Arg.Son.Film.
Starring:
A circus laborer finds the vital clue to reach the lair of the dreaded "invisible man", that takes gray green to the police.
Strange Invasion 1965.
Directed by: Emilio Vieyra .
Starring: Richard Conte
. Ann
Strasberg.
Jorge Rivera López. Eddie
pequenino
Premiere: October 10, 1974.
Duration: 71.
Productions: PAA. Aries.
Review: Movie
Argentina (perhaps the first) in Hollywood-style science fiction. In addition to bringing the American actor Richard Conte. A series of television, through the cathode rays, causes in the minds of viewers unexpected and terrifying effects. The reason is a mixture of methane drums and other materials with water from the swamps that gave off a strange broadcasts that reach the antenna.
The matamonstruos in the mansion of terror: 1987.
Directed by: Carlos Galettini .
Starring: Nathan
Pinzón. Beruga
Carambula.
Adriana Brodsky.
Emilio Disi.
Premiere: July 2, 1987.
Duration: 80.
Productions: Arg.Son.Film.
Review:
This time there is an assault on a bank or the fight with the ninjas ... . This time the members of the famous Brigade Z "will face monsters in a film pure comedy revealing the terror.
The boys did not use arsenic, 1976.
Directed by: José . A. Martínez Suárez.
Starring: Narciso Ibáñez Menta
.
Barbara Mujica.
Mecha Ortiz. Arturo García Buhr
.
Premiere: April 22, 1976.
Duration: 90.
Review:
an actress from the golden age of cinema, live in a fifth memory, withdrawal from the outside world, but lives with her husband and two friends, an accountant and a doctor (Ibáñez Menta, in his latest film Argentina). The harmony is shattered when a young auctioneer is convinced that he wants the house sold, but especially the three seniors say it's not very close, so have the three sinister look a the same mentality. The film has bases of terror and suspense, as well as black comedy, among other ingredients of cinema.
Blood of Virgins: 1967.
Directed by: Emilio Vieyra .
Starring: Ricardo
Bauleo.
Walter Klich.
Susana Beltrán.
Gloria Prat.
Premiere: February 21, 1974.
Duration: 72.
Review: Film
bizarre and Z series. A group of wild teenagers get to Bariloche looking for fun, run out of fuel and desided to take refuge in an abandoned house, despite being warned by the vampire legends. There lurks a vampire of the last century. This film is a grotesque example of bizarre Vieyra, with scenes of violence, nudity and sex, the first vampire film in Argentina.
Rooms for Tourists: 2004.
Directed by: Adrian Garcia Bogliano .
Starring: Elena
Siritto.
Krouco Jimena.
Mariela Mujica. Victoria
Witemburg. Brenda Vera
.
Premiere: October 30, 2004.
Duration: 90.
Review: Five women stranded
in a remote village. A secret in common. Five rooms for tourists, for a restless night of horror.
Invasion 1969.
Directed by: Hugo Santiago .
Starring: Olga
Zubarry.
Lautaro Murua.
Juan Carlos Paz.
Martin Adjemian.
Premiere: October 16, 1969.
Duration: 123.
Review:
Aquileia an imaginary city is surrounded by a superior enemy in their midst, just an old man (Juan Carlos Paz) is organizing a core of resistance giving orders to the group led by Herrera (Lautaro Murua). Banging off and taking action in diverse geographical locations, the resistance will serve its purpose, not without losing some troops. With each mission, seen in the limits and horizons of the city the passive presence of the invaders, either on line or in multiple car riders. Is that the invasion until the making, will take place on land, sea and air. As the plot progresses, we are entering into the lives of some characters. Principal, observe their conflicted married life with Irene (Olga Zubarry), who in turn also operates an organized group. Each of the members of the resistance is painted with a particular line. One (Martin Adjemian) is a coward until he decides to prove his courage in pursuit of the group and another (Daniel Fernandez) is hopelessly womanizer despite their unattractive physical, a third (Ricardo Ormello) is fond of the Class B Western movies. . the boss, Don Porfirio, is an old man who talks to his cat and drinking mate alone. Seen by an audience outside their authors and historical moment of release, the film is expressed as a kind of ucronia stripped of all science fiction, a bit like THE INVADERS series, in which aliens were perfectly embodied by ordinary individuals. The fantastic component, then, lies in the lack of explanation of the reasons for each side (ambiguity that promotes discussion items should be labeled with the antagonism that marked the historical evolution Argentina). Characters that move on a fantastic city (whose pictorial map chairs each meeting convened by Don Porfirio) and that cross each cardinal point of the compass rose, and dying in ways that go the less fantastic. Adding literary knowledge to the analysis, it appears that this is a film with the great As co-writer Jorge Luis Borges. From the pen recognize the meaning of the dialogue and the domestic epic Borgesian certain characters perfectly. The other co-author of the story, Adolfo Bioy Casares, it recovers the spirit of the narrative construction of collective hero (a trait that also resembles the classic comic "The Eternauta" with whom he shares the confrontation on the pitch the club River Plate) . Finally, the cinematic contribution Hugo Santiago, ranging from moments of cinema-style but Jean-Pierre Melville misused to describe the fast motion action sequences.
The strange case of man and beast: 1951.
Directed by: Mario Soffici.
Starring: Mario
Soffici.
Ana Maria Campoy. Olga
Zubarry.
José Cibrian.
Premiere: January 11, 1951.
Duration: 80 minutes .
Review: Good
Argentine film version from the literature, Doctor Jekyll and Mr Hyde by Robert Louis Stevenson.
Placer
bloody : 1967.
Directed by: Emilio Vieyra .
Starring: Alberto
Candeau.
Eduardo Muñoz. Ricardo
Bauleo.
Gloria Prat.
Premiere: November 22, 1967.
Duration: 75.
Review:
Cinema Bizarre, a serial murderer released into environment more "pop" by injecting lethal doses Heronia. A week before the premiere, the actress Vieyra and Prat, were arrested and later released for alleged nude scenes in order to take abroad.
Someone is watching: 1988.
Directed by: Gustavo Cova and Horacio Maldonado.
Starring:
Horacio Erman.
Marisa Ferrari.
Daniela Pal. Fernando
Bonfante.
Premiere: November 3, 1988.
Duration: 84.
Review:
A group of medical students voluntarily submits to an experiment in Argentina, carried out in the Laboratoris Corman. The result brings with high doses of violence and crime.
Blood the Last Vampire : 2008.
Directed by Chris Nahon .
Starring: Allison Miller
.
Liam Cunningham. Masiela Lusha
. Gianna Jun
.
Premiere: in 2009 .
Duration: 91.
Review:
really a blockbuster that included Hong Kong, Japan, France and Argentina. A vampire named Saya works for a secret agency of the state destroying demons after the Second World War in Japan. She infiltrates a military school in order to find a demon disguise.
The aura: 2005.
Directed by: Fabián Bielinsky .
Starring: Ricardo Darin
.
Dolores Fonsi.
Alejandro Awada. Paul
Kidron.
Premiere: October 21, 2005.
Duration: 134 minutes .
Review:
The Aura "tells in first person the hallucinating voyage of an unnamed character, a laconic and introverted taxidermist (Ricardo Darin) with a strange obsession for an honest man: over the past years and again has planned and imagined the most perfect and successful raids, always an intelligence force that, according to him, unlike what happens out there, the struggle " against dumb dumb "cops and robbers. He could do better than anyone. Away from their own urban and taken to the distant forests of the south to share a hunting day, a tragic accident unexpectedly connects you with the ability to run a real crime: assault on an armored truck carrying the profits of a casino area. Motivated first by a morbid curiosity and later by a relentless stream of events, the taxidermist will project to their fantasies, assembling a puzzle piece by piece it will be locked up without remedy.
Masterpieces of Terror. 1960.
Directed by: Enrique Carreras .
Starring: Narciso Ibáñez Menta
.
Mercedes Carreras.
Carlos Estrada. Narciso Ibáñez Serrador
.
Premiere: July 28, 1960.
Duration: 115 minutes .
Review: Memorable
Argentine film, a great success, perhaps the best national film made, and one of the best in Latin America. Much has been said of the film MASTERPIECES OF TERROR (1960) by Enrique Carreras, consisting of three stories of Poe, has preceded the interest sparked by the famous author from the U.S. cycle starring Vincent Price and directed by Roger Corman. HOUSE OF USHER (The Dreadful House of Usher, 1960), first film in the series, was released in Argentina in March 1961, almost a year after the Race. The three stories, adapted cleverly by Narciso Ibañez Serrador, are:
1) THE CASE OF MR. (***½): VALDEMAR Dr. Eckstrom (Narciso Ibáñez Menta) experiments with magnetization (hypnosis) as a cure for mental illness. His most faithful disciple (Osvaldo Pacheco) falls prey to a deadly disease, and the scientist have an opportunity to test whether the magnetism can preserve the individual's death.
2) THE BARREL OF AMONTILLADO (***½): Mr. Samivet is a winemaker whose bored wife (Inés Moreno) claims, after three years of marriage, for some fun to break the routine. But the harvest festivals that take place and are custom for her. Until a handsome young peddler (Carlos Estrada), who seduces women, causing more terrible revenge by the quiet Samivet.
3) Tell-Tale Heart (***½): A young man (Chicho Ibañez Serrador) lives with the old owner of a watch that has a glass eye. As the boy grows into hatred, this is concentrated in the macabre eye. The tragedy triggered it soon.
The three stories are neatly narrated and furnished, featuring all three interpretations Narciso Ibañez Menta anthologies (his characterization of the Jew in The Heart ... is at the level of Lon Chaney). Moments of tension and climates make similar (or superior) to many of the Hammer films of those years. A real surprise in the filmography of director PALOMITA Miramar, about which rumors have indicated that the film was directed by Ibañez actually father and son, which has not been affirmed or denied by them. We believe that career if directed, but incorporating the smart indications Mint Serrador who, at the time, had already written and performed all the stories for TV. The Herald, dated August 1960 reports: "It is by far the best movie of Enrique Carreras, who had never achieved such balance in the direction of a film." It is interesting to check also the international career that took this movie: In 1963 producer Jack Harris bought it and turn into English made him the first two stories, released with the title of MASTER OF HORROR, and then send it in a double feature with THE 4-D MAN, or MASTER OF TERROR. Everything is used, nothing is lost, the remaining segment was launched in 1972 as part of a film called LEGEND OF HORROR, with new scenes directed by Bill Davies and performed by Ben Daniels and Fawn Silver.
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